Fathom XIX

Palace Law

2017-11-26

rock clichés. There’s maybe an overabundance of guitar solos and silly machismo, the mixes can leave the album feeling a little sludgy and indistinct, and there’s even a backwards song designed to provoke 1980s mothers to interpretations of Satanist messages. But I for one will always give the benefit of the doubt to bands that sound like they sincerely love rock ‘n roll. Fathom XIX hits these songs properly hard, resembling early Mudhoney more than anyone else. And for an album as focused on symmetry as “Palace Law,” the second half is a substantially more interesting listen than the first. The band mixes up their pacing and becomes less concerned with domineering riffs. I would, however, like for someone to explain to singer Darin Wiltse that when talking about gold, karats are units of purity rather than weight, making the chorus “feel like 24 karats of solid gold” redundant.

Pros: Riffs, velocity.

Cons: Sounds like GRD will be putting them on heavy rotation very soon.

Primest Cuts: “Solid Gold” “Bring Me The World”

review by Kollen

Quick Links:

More reviews tagged #Rock

  • reviewed 09/2008

    Duffy
    Rockferry

  • reviewed 05/2012

    MELISSA RUTH & THE LIKELY STORIES
    Ain't No Whiskey

  • reviewed 08/2006

    Liam McKay and the Saints
    Confessions to a Lover

  • reviewed 02/2005

    Young Dubliners
    Real World

  • reviewed 04/2014

    Dave Mason
    Future's Past

  • reviewed 06/2010

    CROWDED HOUSE
    Intriguer

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.