Fathom XIX

Palace Law

2017-11-26

rock clichés. There’s maybe an overabundance of guitar solos and silly machismo, the mixes can leave the album feeling a little sludgy and indistinct, and there’s even a backwards song designed to provoke 1980s mothers to interpretations of Satanist messages. But I for one will always give the benefit of the doubt to bands that sound like they sincerely love rock ‘n roll. Fathom XIX hits these songs properly hard, resembling early Mudhoney more than anyone else. And for an album as focused on symmetry as “Palace Law,” the second half is a substantially more interesting listen than the first. The band mixes up their pacing and becomes less concerned with domineering riffs. I would, however, like for someone to explain to singer Darin Wiltse that when talking about gold, karats are units of purity rather than weight, making the chorus “feel like 24 karats of solid gold” redundant.

Pros: Riffs, velocity.

Cons: Sounds like GRD will be putting them on heavy rotation very soon.

Primest Cuts: “Solid Gold” “Bring Me The World”

review by Kollen

Quick Links:

More reviews tagged #Rock

  • reviewed 03/2012

    SNOW PATROL
    Fallen Empires

  • reviewed 11/2012

    NEIL YOUNG & CRAZY HORSE
    PSYCHEDELIC PILL0W

  • reviewed 04/2015

    Robert Gordon
    I'M COMING HOME

  • reviewed 11/2013

    THE DARK FLOWERS
    Radioland

  • reviewed 11/2006

    BARENAKED LADIES
    Are Me

  • reviewed 01/2005

    Shivaree
    Who's Got Trouble?

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.